|Geranium cinerea printed on cotton|
I've been meaning to have a go for quite a while, and now I have tried this fascinating technique I can't wait to do more...
|Purple Acer twigs and tiny leaves printed on cotton|
I gathered together a selection of cotton and linen fabrics and garments, all white or pale cream. In fact one was a linen/viscose mix, it seemed to take the colour just as well as the pure linen.
|Geranium endressii leaves and astilbe leaves printed on viscose/linen fabric|
The first step was to mordant. I don't usually dye much plant fibre so I checked a few sources. It seemed that a tannin/alum/tannin process was recommended by most, with at least one source suggesting that the fabric should be aged at least a week between each mordanting process. (If you do a quick google search you will find most of the sources I consulted)
Well, I was too impatient for that! I'll describe here the process which I used, and you can judge the results for yourself in the photos. The finished items have all had a warm wash with normal laundry detergent, but have not yet been tested for colour-fastness over time or many washes.
Before starting I weighed the dry fabrics. I also unpicked one side-seam of the linen skirt so I could open it out flat.
I washed the fabrics first on a 60 degree cycle, with washing soda instead of detergent, but did not go in for the long, complicated and energy-costly process recommended in one of my sources.
I decided to go for cold-mordanting first with tannin and then with alum.
For the tannin I used a solution I had made by boiling crushed oak galls in water for several hours. I actually made the solution about two years ago and had stored it in my shed, in plastic containers. I diluted the strong black liquid with cols water in a large plastic bucket. So I have no idea how much tannin went into my mordanting bath - it was about the colour of strong tea. I put the wet fabrics, straight from the washing machine, into the tannin bath and left it to soak outside for about 18 hours, stirring occasionally.
For the alum I used 10% of the dry weight of the fabrics, dissolved in about a litre of boiling water, then I added cold water to fill a large (plastic) bucket. I soaked the fabrics (straight from the tannin solution - no rinsing) in this solution for about 14 hours.
Now for the fun part!!
Placing the leaves and flowers - the names of the leaves and flowers used are given beside the photos of the results, and summarised at the end.
|Geranium cinereum leaves and speedwell shoots on cotton vest|
note: all the leaves are face-down on the fabric, it would have been better to place half of them face-up
I covered my work surface with an old towel and spread out the wet fabric, one piece at a time, as flat as possible. I placed my chosen leaves and flowers over half of the fabric, creating a pattern.
|Linen fabric folded over to enclose acer leaves|
Next I rolled up the fabric as tightly as I could. Some of the sources had suggested rolling it round something - I didn't do that, and it meant that my rolls were flexible enough to be coiled or curved into the dye vessels.
Once the fabric was rolled up I bound it very tightly with a fine cord, going over the roll several times. Take care with this stage - by the time I was binding the eighth roll the skin on my hands was so soft and wet that the cord cut my finger!
I decided to try both the hot dyebath method and the solar jar method.
For the solar jar method I chose three rolls which (with a bit of bending) I could fit into a 2 litre preserving jar. I filled the jar with the left-over alum solution the fabric had been soaking in, and left it in a sunny place.
|Solar jar day 1|
|Solar jar day 18|
purple acer leaves, Jacobs ladder flowers, Clematis montana shoots, geranium endressii leaves, vetch, black elder leaves
For the hot dyebath method I put five of the coils into a dyepan, along with a mesh bag containing some logwood that had already been used at least 15 times, so was pretty well exhausted. I wanted to add a bit of colour but not overwhelm the prints.
I filled the dyebath with cold water to cover all the rolls and gently simmered it for 3 hours. I left the rolls to cool in the dye overnight, before unrolling them to reveal the results. All the results in this post are from the hot dyebath.
When I unrolled each bundle I picked off the remaining bits of plant and gave the fabric a gentle rinse in cold water.
Then I 'finished' the prints in an iron solution for 15 - 20 minutes - the iron 'saddens' the colours, making many of the yellows go green, but it makes the print much more distinct. you can see the difference in some of the photos.
|Eco-printed fabric soaking in iron solution (no more than 20 minutes)|
After the iron bath I rinsed the fabrics in cold water, then gently washed them in warm water with normal laundry detergent, and rinsed again before drying them.
|Printed vest before iron soak - note that the side where the leaves were placed face down on the fabric has less distinct images than the side which was folded over on top of the underside of the leaves|
|The same vest after 15 minute soak in iron solution|
|Cotton fabric printed with Eucalyptus gunnii and astilbe leaves|
|The same fabric after 15 minute soak in iron solution|
Plants used and results from hot dyebath followed with iron bath
All plants grown in my garden, picked on 30th May and used immediately
Fern young leaves - clear but faint green marks
Purple acer leaves - left faint greyish and green smudges - except the tiniest new leaves which left dark bluish-purple dotted outlines , twigs left yellow faint marks
Jacob's ladder flowers - left small pale blue/grey circles about 2mm across
Vetch tips of shoot with stem, leaves and flowers - left yellow marks which did not go green with iron
Eucalyptus gunnii young shoots with leaves - distinct dark green marks after iron
Astilbe young reddish leaves - indistinct dark green/grey marks
Geranium endressii leaves - distinct marks, green
Geranium cinereum leaves - good distinct marks from underside of leaves, faint marks from top of leaves- yellowy green
speedwell shoots with leaves and flowers - yellow marks, small grey dots from flowers
Campanula poscharskyana shoots and flower buds - indistinct yellow marks