| Geranium cinerea printed on cotton |
I've been meaning to have a go for quite a while, and now I have tried this fascinating technique I can't wait to do more...
| Purple Acer twigs and tiny leaves printed on cotton |
I gathered together a selection of cotton and linen fabrics and garments, all white or pale cream. In fact one was a linen/viscose mix, it seemed to take the colour just as well as the pure linen.
| Geranium endressii leaves and astilbe leaves printed on viscose/linen fabric |
The first step was to mordant. I don't usually dye much plant fibre so I checked a few sources. It seemed that a tannin/alum/tannin process was recommended by most, with at least one source suggesting that the fabric should be aged at least a week between each mordanting process. (If you do a quick google search you will find most of the sources I consulted)
Well, I was too impatient for that! I'll describe here the process which I used, and you can judge the results for yourself in the photos. The finished items have all had a warm wash with normal laundry detergent, but have not yet been tested for colour-fastness over time or many washes.
Before starting I weighed the dry fabrics. I also unpicked one side-seam of the linen skirt so I could open it out flat.
I washed the fabrics first on a 60 degree cycle, with washing soda instead of detergent, but did not go in for the long, complicated and energy-costly process recommended in one of my sources.
I decided to go for cold-mordanting first with tannin and then with alum.
For the tannin I used a solution I had made by boiling crushed oak galls in water for several hours. I actually made the solution about two years ago and had stored it in my shed, in plastic containers. I diluted the strong black liquid with cols water in a large plastic bucket. So I have no idea how much tannin went into my mordanting bath - it was about the colour of strong tea. I put the wet fabrics, straight from the washing machine, into the tannin bath and left it to soak outside for about 18 hours, stirring occasionally.
For the alum I used 10% of the dry weight of the fabrics, dissolved in about a litre of boiling water, then I added cold water to fill a large (plastic) bucket. I soaked the fabrics (straight from the tannin solution - no rinsing) in this solution for about 14 hours.
Now for the fun part!!
Placing the leaves and flowers - the names of the leaves and flowers used are given beside the photos of the results, and summarised at the end.
| Geranium cinereum leaves and speedwell shoots on cotton vest note: all the leaves are face-down on the fabric, it would have been better to place half of them face-up |
I covered my work surface with an old towel and spread out the wet fabric, one piece at a time, as flat as possible. I placed my chosen leaves and flowers over half of the fabric, creating a pattern.
| Linen fabric folded over to enclose acer leaves |
Next I rolled up the fabric as tightly as I could. Some of the sources had suggested rolling it round something - I didn't do that, and it meant that my rolls were flexible enough to be coiled or curved into the dye vessels.
Once the fabric was rolled up I bound it very tightly with a fine cord, going over the roll several times. Take care with this stage - by the time I was binding the eighth roll the skin on my hands was so soft and wet that the cord cut my finger!
I decided to try both the hot dyebath method and the solar jar method.
For the solar jar method I chose three rolls which (with a bit of bending) I could fit into a 2 litre preserving jar. I filled the jar with the left-over alum solution the fabric had been soaking in, and left it in a sunny place.
| Solar jar day 1 |
| Solar jar day 18 plants include: purple acer leaves, Jacobs ladder flowers, Clematis montana shoots, geranium endressii leaves, vetch, black elder leaves |
For the hot dyebath method I put five of the coils into a dyepan, along with a mesh bag containing some logwood that had already been used at least 15 times, so was pretty well exhausted. I wanted to add a bit of colour but not overwhelm the prints.
I filled the dyebath with cold water to cover all the rolls and gently simmered it for 3 hours. I left the rolls to cool in the dye overnight, before unrolling them to reveal the results. All the results in this post are from the hot dyebath.
When I unrolled each bundle I picked off the remaining bits of plant and gave the fabric a gentle rinse in cold water.
Then I 'finished' the prints in an iron solution for 15 - 20 minutes - the iron 'saddens' the colours, making many of the yellows go green, but it makes the print much more distinct. you can see the difference in some of the photos.
| Eco-printed fabric soaking in iron solution (no more than 20 minutes) |
After the iron bath I rinsed the fabrics in cold water, then gently washed them in warm water with normal laundry detergent, and rinsed again before drying them.
| The same vest after 15 minute soak in iron solution |
| Cotton fabric printed with Eucalyptus gunnii and astilbe leaves |
| The same fabric after 15 minute soak in iron solution |
Plants used and results from hot dyebath followed with iron bath
All plants grown in my garden, picked on 30th May and used immediately
Fern young leaves - clear but faint green marks
Purple acer leaves - left faint greyish and green smudges - except the tiniest new leaves which left dark bluish-purple dotted outlines , twigs left yellow faint marks
Jacob's ladder flowers - left small pale blue/grey circles about 2mm across
Vetch tips of shoot with stem, leaves and flowers - left yellow marks which did not go green with iron
Eucalyptus gunnii young shoots with leaves - distinct dark green marks after iron
Astilbe young reddish leaves - indistinct dark green/grey marks
Geranium endressii leaves - distinct marks, green
Geranium cinereum leaves - good distinct marks from underside of leaves, faint marks from top of leaves- yellowy green
speedwell shoots with leaves and flowers - yellow marks, small grey dots from flowers
Campanula poscharskyana shoots and flower buds - indistinct yellow marks
I love this technique...
ReplyDeleteSuch beautiful work and helpful ideas. Thank you.
ReplyDeleteViscose linen stretch printing
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