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Saturday, 19 October 2013

My Shetland Wool Week 2013

Words can hardly describe the wonderful experience that is Shetland Wool Week - an intense woolly whirlwind of sights, textures, people, traditional and contemporary crafts, colours all steeped in the extraordinary atmosphere of Shetland. So here are a few of the many photos I came home with, to give you a feel for the week, and I'll have a go at describing my Shetland Wool Week.


I spent the first three days of Shetland Wool Week teaching spinning workshops, and enjoying the generous hospitality of my friends on Yell.

Monday and Tuesday's workshop were on the island of Yell, hosted by Andy Ross of ASF Shetland, in the weave studio in Sellafirth.

On Monday we covered fleece sorting and preparation, and drop-spindle spinning.
A happy new spinner with her first skein

Tuesday was an improvers' day, but I also covered some Art Yarns for one learner from Unst (the most northerly island) who could not make it to the workshop in Lerwick.

 As a result I was too busy to take any photos except this one of Andy plying yarn on Maggie's Haldane Lewis spinning wheel - while declaring that he will never become a spinner! All I can say is - I think you've been bitten by the bug Andy!! And Brigitte definitely has - the Ashford Traveller spinning wheel I took to Shetland has now gone to live with her on Fetlar.

Early on Wednesday morning Andy and I made our way to Lerwick, where my third workshop, on spinning Art Yarns, was held in the Shetland Museum.

 A lively group of experienced spinners spent the day exploring a number of techniques to create unique and unusual, but still useable, yarns





My teaching duties (which I enjoyed very much) over, I settled in to becoming a learner for the rest of the week.

The Wool Week Lecture on Wednesday evening was in fact two presentations, one by Di Gilpin about the expanding presence and influence of hand knitting in high fashion, and a fascinating presentation by Felicity Ford who has been recording soundscapes (and images) of all the phases in wool production from sheep to garment. www.knitsonik.com  Felix gave us a new insight (should that be in-hearing?) to the things that go on around us and I heard many people remarking that they were listening differently as the week went on.

I had been lucky to get a place in Felix's Quotidian Colourwork workshop on Thursday morning.
Felix (in the hat) - and loads of lovely Jamieson & Smith yarn to play with
 We each brought our source of 'everyday' inspiration to interpret in stranded colour knitting. Most people were sensible enough to bring a photo, but my inspiration was some sea-smoothed shards of Willow Pattern china which I had found on the beach on Bressay island, last time I was in Shetland.
Despite luggage weight restrictions (I flew to Shetland this time), because part of the bigger project is to locate the shards and their knitted interpretations into the whole pattern I also brought an antique Willow Pattern soup plate from my late mother's collection.


After the class it was time for my first foray (of this Shetland visit) to the Wool Brokers (Jamieson & Smith).
The inimitable Oliver Henry was in full flow demonstrating wool grading and sorting in the wool store when we arrived. I was particularly impressed that he is already growing a beard in preparation for his part in the jarl squad in Up Hellyaa.

When I brought my carefully selected fleeces in to the shop to be packed for posting I was equally impressed by Sandra's feats of memory, even remembering where my parcels have to be delivered if I am not at home!

A lovely scarf made by the textile students at Shetland College found its way round my neck before I left J&S - and I was very glad of it in the cold wind!
It may look sunny but it doesn't mean it was warm!
Looking over to Bressay, where I found the original Willow Pattern shards

Thursday evening was spent learning how to incorporate chance into designing Fair Isle, with Felix and TomofHolland. They explained their Aleatoric Fair Isle project, boggled our minds with the 'rules' (thank goodness they were written down for us!) and then had us selecting colours by rolling dice, before sitting down to start knitting swatches.
my aleatoric Fair Isle swatch
 It is an interesting approach to design and colour that takes you away from habitual thinking, challenging ideas of what works and why it does,  and I will try to find time to explore it some more.
a few of Felix and Tom's swatches

Friday's workshop was challenging in a different way, as the lovely Mary Kay showed us some stunning examples of fine Shetland lace knitting, then had us casting on our own scarves in cobweb 1 ply Shetland wool yarn.

The 2mm needles supplied were terrifyingly sharp - for the first time in many years I wished I had my Mum there to do my cast-on! There was less chat in this workshop than in any other, due to the concentration required when knitting pattern rows.

It was a pleasure to meet Deb Robson in person during the lace class, I must remember I promised to get some information for her.

I completed my Jamieson & Smith purchases after the class
and wandered back to my welcoming B&B for a much needed cuppa, before having a stroll around Lerwick.

Friday evening was spent in the company of Amy and Ana, who led a workshop on making little felt birds
- I chose wet felting as the knitting needles in the lace class had put me off sharp objects for a while! The range of birds produced was remarkable, and Amy and Ana were cheerful and encouraging to those who had not made felt before.

By Saturday morning I needed a (short) break from wool so I picked up a hire car and headed to Burra Isle with two things in mind - to go to a beach, and to find the studio of artist and silversmith Mike Finnie.
 

Shetland has loads of beautiful beaches, some sandy and others shingle or rocky. I spent a while on Meal beach, and found treasure!
I spent ages beachcombing, recording the sound of waves on the shore and looking at footprints in the sand. I think these tiny ones may be a young otter (my car key for scale).

When I got to Mike's studio at Red Houss, East Burra I got a bit carried away....

I had seen Mike's silver jewellery etched with designs from real Fair Isle knitwear in a gallery in Edinburgh. (So not entirely unconnected to wool then!). See more of Mike's work at www.redhouss.co.uk
Houss, East Burra, from West Burra

Mike too is exploring ways of incorporating sea-smoothed china shards in his work - maybe we'll do some sort of collaboration...

After a really interesting conversation with Mike and his wife I was ready for some lunch so headed to the beach recommended by my B&B host - Bannaminn at the southern tip of West Burra Isle, and had a picnic.

The beach is a tombolo, connecting a small islet to the tip of West Burra. One side of the tombolo is sand, the other shingle. Sheep were being moved across the tombolo to the island while I was having my picnic.

Back in Lerwick, I spent the evening in a workshop making felt and bead brooches with Amy and Ana. They had brought such a variety of materials everyone was able to make very individual brooches.


On Sunday morning I headed west, my ultimate destination a beach at Dale of Walls suggested by my hostess Christine. On the way I made several attempts to photograph sheep - they are all over the place, and in a range of wonderful colours and markings, but clearly camera-shy!
The scenery changes greatly as you pass through different areas of Shetland, the weather too, which I was glad of because it had been windy and cold in Lerwick but at Dale it was sheltered and warm enough (just) for another beach picnic.

Several seals came to see what I was doing and sang to each other.


Heading back from Walls I discovered that at least one Shetland graffiti artist has a sense of humour! (if you don't get he joke, ask me!)

The Shetland Spinners' Guild afternoon tea at Weisdale was an opportunity to catch up with many people met at different workshops throughout the week, as well as to see the impressive displays of craftwork produced by the guild members and enjoy their lovely cakes.

That evening over a Nepalese curry with Felix we discussed her Wovember blog, which I recommend you to look out for in November. I've followed it with interest for the last two years and fully support the campaign to only call things wool if they really are made entirely from wool. This year she is planning more of a focus on spinning so I may pop up there!

Monday was my last day in Shetland and I spent the morning strolling around the old atmospheric landing stages of the Hanseatic traders, called the Lodberries.
the only steps to the beach are covered at high tide
I was waiting for the tide to ebb enough for me to get on to Bain's beach for a final beachcombing session - which was well rewarded!

After lunch I headed back to Sumburgh airport, finding it hard to believe that I had been in Shetland for over a week the time had passed so quickly, but also amazed at how much I had packed in to the time.
As well as the obvious threads of wool, spinning and knitting that were woven through my stay in Shetland there were other repeating threads - people met in a number of different settings, links to past and future events, Viking influences, music and the sea. I've visited Shetland before and found it unforgettable, but Shetland Wool Week adds a whole extra layer of impressions and memories.

Wednesday, 2 October 2013

Celebrate Scottish Wool !!


Did you know that October 14th – 20th is British Wool Week? On Sunday 20th October I will be running three short workshops in Auchterarder to let you try natural dyeing, making felt and Fair Isle knitting, to launch a series of pop-up studio events in Auchterarder throughout the winter.

In the morning I will teach an eco-friendly method of dyeing fibre and yarn with plant materials. Solar Dyeing uses sunlight as the main source of energy. It requires very little special equipment and once you have learned the method you will easily be able to experiment at home to produce a range of colours. During the workshop you will create your own solar dye jar to take home and watch the colour develop.

In the afternoon things get a little more physical as we turn to making beautiful soft gossamer-fine felt scarves from specially selected and hand-dyed wool. The process gets a bit wet and messy but is great fun, and at the end of the session you will have created a unique piece of wearable art.


The evening workshop is a bit more relaxing, learning about Fair Isle knitting, with hints and tips to make this ancient technique much easier than it looks. You will knit a sampler to be used as a cup-cosy or bracelet. The session will be accompanied by a slideshow of Shetland landscapes and photographs from the knitting  collections of the Shetland Museum and Archive and the Unst Heritage Centre.

All three workshops will take place at 206 High St., Auchterarder (the premises of GRM Podiatry - thank you Gregor and Alistair!). Places are limited and must be booked in advance. To find out times and prices and to book a place e-mail deborah.gray7@btinternet.com or call 07776092903. If you book for more than one workshop you will get a discount.

Future pop-up studio sessions in Auchterarder  will take place most weekends (usually Sundays) in November and December (and beyond, if GRM will allow) and will include spinning, fibre preparation and art yarns, and all things woolly. Visitors will be most welcome to drop in  for a chat, or to join in, and the teaching workshops already advertised will also take place there. There will be tea and coffee and maybe even some cake! Details will be publicised on this blog and on Facebook, or use the contact details above.

Saturday, 28 September 2013

Spinning in Abruzzo

This month my spinning travels have taken me to Abruzzo, a beautiful mountainous region of central Italy, where my workshops were hosted by Antonella Marinelli (I Campi di Mais).
I flew to Rome and then travelled by train and coach to L'Aquila, where Antonella met me. Despite the terrible damage still evident from the 2009 earthquake some of the important monuments are still standing
The fountain of 99 water spouts, representing 99 paese of L'Aquila



The duomo of Collemagno - the stonework inspiring some stranded colourwork knitting

Antonella drove us up and across the Altapianura delle Rocche, then up again to the small village of Ovindoli, 1400 metres above sea level, where she has her workshop
Antonella's workshop - I Campi di Mais

Ovindoli
 I stayed in the welcoming B&B Abruzzo, just the other side of the piazza from I Campi di Mais.
Next day Antonella took me on a tour of some of the characteristic old hill villages nearby. First we went to Santo Stefano di Sessanio

 We had the obligatory gelato (ricotta and pear, yummmm!) while wandering the narrow winding alleys

I'm definitely going to copy this sign, maybe adding in a spinning wheel, for my POP-UP STUDIO starting next month (watch this space!!)
We visited the Bottega Artigiana La Buscella, where I couldn't resist buying some lovely big hand made wooden buttons. Then we came across this:
Probably a bobbin-winder rather than a spinning wheel, hand cranked and heavy
 
And beside it a sign reading Tisaneria. Always ready for a cuppa, we followed the sign and found this:

 
 
Not just a huge selection of herbal tisane, and delicious home-made apple cake, but a weaving workshop. We had an interesting chat with the owner, who runs weaving classes and also sells the tiny brown lentils special to the area.
 
Leaving Santo Stefano we headed to Rocca Calascio, stopping to admire the flowery roadside verges, pick some scented helichrysum and look at the stupendous views

Rocca Calascio is dominated by its castle, up on the peak above the village

Much of the village is deserted, but very atmospheric
 
We had a delicious lunch in the Rifugio della Rocca, baked scamorza cheese with mushrooms, and a salad
Our next stop was to visit Valeria Gallese, who with her husband runs AquiLana - wool from their own flock of sheep is processed into a range of lovely yarns. Valeria kindly provided the fleece for our workshops.
Then back to Ovindoli, where the first of the workshop particpants had just arrived - Patrizia. Once she was settled in to the B&B we had an unhurried picnic style dinner and a good long chat.

Saturday was Day 1 of the workshop. Eleonora arrived with her little dog, and we soon got to grips with grading and then carding the AquiLana fleece.
 Patrizia and Antonella
Eleonora and Patrizia
 
Being partly Merino the fleece form Valeria was very fine but a bit sticky, so we also used some Zwartbles fleece (black) from Perthshire, some Alpaca from Aberdeenshire and some fibre from Patrizia's own alpacas and angora goats in the Veneto.
At lunchtime we took a table outside into the sunshine
 
 
 
and continued to work out there for the afternoon, much to the interest of passers-by

 An afternoon of drop-spindle spinning and plying, and everyone had produced their first skein of 2-ply yarn


After a bit more carding we went in search of dinner, at a restaurant in the piazza.
 
On Sunday it was time to meet the spinning wheels - Patrizia's new Ashford Kiwi 2 and my (but now Antonella's) slightly older Kiwi 1. Alternately spinning and carding, the morning passed quickly and lunchtime was announced by the sound of Eleonora's fiancé arriving on his motorbike, bringing lunch.
Once again we ate outside in the sunshine, a delicious spread with Antonella's home-made bread and home grown artichokes and spinach, Patrizia's home grown tomatoes, mozzarella brought by Nico and a delicious spread made in Eleonora's azienda from garlic flowers, olive oil and wine - also all home grown.
After lunch the spinning wheels came out into the sunshine, again attracting lots of attention - or maybe it was Nico's Ducati parked next to them



Patrizia spinning her mohair/alpaca blend, wearing a hat made by Antonella
 
By late afternoon the ladies all had completed a second skein of wheel-spun 2-ply yarn
and also prepared and spun silk hankies,
 
Everyone said they were very satisfied with what they had achieved, they certainly got a lot done in two days, while still finding time for lots of good conversation and laughter.
 
I really enjoyed my first visit to Abruzzo, and hope to return there. The icing on the cake came when just before heading back to L'Aquila and the coach to Rome, Antonella took me to a small antique shop in Ovindoli. It is an absolute Aladdin's cave, piled high with treasures, many of which are Scandinavian as the owner is a Danish woman.
Hanging beside the stairs I found a narrow wooden heddle, probably from 1850 or earlier and made as an engagement gift as it has a heart motif. There are still traces of red paint on one side and blue/green on the other. I carried it home very carefully!
 





Sunday, 15 September 2013

Offerta speciale fino a 30 Settembre - Special offer ends 30 September


Attrezzatura di filatura – Offerta speciale - settembre 2013

Ashford Traveller single drive double treadle
ho l’opportunita’ di una spedizione all’ingrosso in Italia di attrezzatura dalla gamma Ashford.

Faccio una offerta speciale, prezzi scontato e senza costo di spedizione dal UK.

Puoi trovarmi e prendere le merce a Miagliano (Bi), il fine settimana 26 & 27 Ottobre. Altrimenti, possiamo organizzare la spedizione da Miagliano (a costo extra) per chi non riescono muoversi.

  Per maggior dettagli del’attrezzatura http://www.ashford.co.nz/newsite/spinning-wheels.html

 Per proffitare di questi prezzi speciali, o se hai altre richiesti o domande, fammi sapere apenna possibile  e-mail : deborah.gray7@btinternet.com

Da ordinare entro e non oltre 30 Settembre, pagamento per PayPal per confirmare l’ordine L’attrezzatura arrivera’  prima del mio corso di filatura a Miagliano il 26 & 27 Ottobre.

                                                                                               

                                                                         Prezzo normale                   Offerta speciale

Libro – Filatura a mano: come creare

            bei filati. Deborah Gray © 2011                         16.50                        15.00

 

Fuso – semplice, fuseruola basso                                    13.00                          11.50

fatto a mano in Scozia

 

Fuso – deluxe, fuserola basso legno duro,                    28.00                          25.50

           manico con cardo Scozzese in legna

 

Cardatori  a mano    (paio)   72pt                                       49.50                          45.00

 

Cardatoro a tamburo Ashford 72 pt o 36pt                      500.00                        470.00

 

Niddy Noddy Ashford                                                          25.00                          22.50

 

Filatoio Ashford Kiwi2 single drive, double treadle       368.00                        340.00

(sliding hook flyer) + 3 bobine

 

Filatoio Ashford Traveller single drive,                            535.00                        490.00

double treadle  + 4 bobine

 

Filatoio Ashford Traditional single drive,                         549.00                       505.00

single treadle  + 4 bobine & lazy kate

 

Molla di freno (Kiwi2, Traveller o Traditional)                 3.00                            2.70

 

Nastro (Kiwi 2)                                                                      13.00                          11.70

 

Bobina Ashford (standard – Traveller o Traditional)      13.00                          11.70

 

Bobina Ashford Kiwi 2 o Joy (sliding hook flyer)                       13.00                          11.70

 

 High ratio kit  per Kiwi2      (per filati sottili =lace )         34.00                          30.00

 

Jumbo flyer kit + 1 bobina  Kiwi 2 (per filati grossi)        151.00                        135.00

 

Jumbo flyer kit deluxe+ 3 bobine  Trad/Traveller            188.50                       172.00

 

Bobina Ashford jumbo                                                        20.30                          17.70

 

 
Fibre

Portero’ anche una selezione delle fibre pronte per filare, per tingere o per feltro

 
Seta mawata (fasioletti)                              25g                             €4.00

Seta tussah (tops)                                        25g                               2.90

Seta bozzoli morbidi - senza gomma       25g                              2.75

Seta Bianca (tops)                                       25g                               4.80

 

Lana Wensleydale in riccioli – naturale  15g                               1.00

Lana Wensleydale in riccioli – tinta a mano     15g                     1.50

 

Merinos tinta – colori misti                          25g                               2.00

 

Fibremix Batts

Fibre naturale e colorate, selezionate con cura e mescolate a mano, pronte per creare filati fantasie. Lane di alta qualita’, seta, alpaca, mohair …..  Ognuno Fibremix batt e unico

  

Anche disponibili a The Wool Box (Miagliano, Bi) – una gamma di lane italiane pettinate.